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Tuesday, October 30, 2007

Art, Apples and Fairy Houses

Yesterday I played with japanese papers, paint and wax. My favorite is the ghoulish lady above; I like to think of her as a consumptive poet. Feverish color in her cheeks and poor handwriting. I love how the pictures talk to you as you work.

She needed a sister and so she got one.

Then I went to school and played in wax some more. I think I've figured out the difference between using a torch and a heat gun on the wax. I have more control with the flame from the torch - it's like the difference between painting with a small detail brush and a big sloppy one.

Here is my magnum opus. It's the first one John hasn't made the pickle face over. That's progress.

The farmer has an art project of his own going on outside. He's building a home for our firewood. It is 27' x 10' and already I am coveting it to store my stuff in. He ordered the roofing today. I love a man who knows how to build things. I've learned so much from him. On our first date he picked me up in a '55 black Ford pickup and HE brought the picnic lunch of fried chicken and strawberries. (we went fishing and then to Bagby Hot Springs.) He taught me where the rainbow trout hide (behind the riffles) and I pretended like I was an old fisherwoman from a 'way back instead of the thoroughly sissy city girl that I am. He saw right through me and loved my charade. Ahh, sorry. I digressed.

Here's the little conestoga wagon (actually a cloche) bearing the peppers across the prairie - I mean the garden. Our peppers are still ripening inside. They don't know it's clammy and cold outside their little home.

Autumn brings the blooms of the Maxamillion Sunflowers. Multiple heads among the blue salvia. The flowers would look beautiful in a pumpkin vase if I were the sort that fussed. Instead I'll just take a picture of them and call it good.

The walnut orchard ready for the yearly visitation of the crow-angels. I love crows. Don't you ever be sayin' bad things about crows. They know things. I especially love their piercing cry.

Here are the fairy houses I promised you. Growing under the Douglas Firs in an area of the yard that is most like a forest floor. Don't the roofs look like shingles? Tiny yurts for fairies.

And these too. Our yard is full of mushrooms. If I were a real witch I would know which ones to cook up with the eyes of newt and frogs. Blech. No worry. I would never cook a frog.

Boxes of apples. This is autumn to me. Dodging the spider webs, gathering in the apples and pumpkins, readying all for winter. The veil between the worlds grows thinner and thinner. For the next few days we in the northern hemisphere can expect visitations and spirits and spooky business too. Hope you're enjoying the fun.

Monday, October 29, 2007

Give It a Good Shellac-in'

I'm still with the thrill of the amber shellac. Sure, you could duplicate the color with acrylic gel and yellow oxide but you could never duplicate the creamy-smooth sheen it gives to the drawing. So I had to do a few more.

Some things you just have to get out of your system. Falling in love (even with art supplies) is like the flu. You get obsessed, lose weight, run around and do dumb things.

I haven't yet figured out what dumb thing I'm going to do today but I'd better get crackin'. It's noon already!!

Saturday, October 27, 2007

New Stamp, Paper and a Thank You

Here is my slab of rubber positioned next to the thumbnail sketches I did of possible designs to carve. Every step of carving rubber is pleasing to me. So much easier than all the plywood I slaved over long ago when making woodcuts. Now I can zip out a new stamp in about an hour.

And here it is, stamped on the paper next to the sketches. The last two that I made seemed masculine to me so with the shape and the wavy lines I hoped to make this one more feminine.

I tried it out on my journal pages first thing. Yay, I like it.

So time to finish the paper I primed last night. Here is a shot of the newspaper getting a coat of house primer. I used white on several sheets to play with.

And let them dry overnight.

Then awhile ago I went in and started stamping on them with my new stamps. I was going to use all my stamps but it was so messy that I just stuck to a few.

They look like a real mess from a distance but up close are some sweet spots. I've decided to use the paper in my collages instead of using it for wrapping paper.

The one piece of advice I have for anyone who wants to try this is not to keep the paper in such big pieces.

It's a pain to get around all sides of it when it is big and floppy.

I left a lot of the backgrounds white thinking I can always go back and glaze color over them later.

If you are taking a class from me I'll bet some of this shows up in your goody packets.

So that ends the newspaper project. One thing I like is the way the paper ripples with the paint on it. Sort of like kraft paper only thinner. I love paper, don't you? I have samples of the expensive stuff all over my studio that I just take out and fondle from time to time. But *shhh* my favorite paper of all is used paper bags from the grocery store. I'm saving them up to make my next journal. Yes! You can come along and watch. I'll put it all up here when I do it.

Behold the box of wonders that arrived in the mail yesterday. My sweet angel Carla, because she is thoughtful and herself, gathered up this bundle of love and sent it to me. I wish she could have seen me opening it and admiring each item. I sat right down and glued the red chinese cut out faces in my journal and then cut out the pictures of the head sculptures she made and glued those in my journal thusly:

and painted silly bodies on them. John didn't "get" my illustration; maybe I've been reading too many cartoons out of the New Yorker magazine. At any rate, thank you dear Carla, for making my day special.

Back to the studio now to start tearing the paper bags for the journal project. I don't promise I'll get to it right away but I'm going to start collecting my materials so that when the time is ripe I'll be ready .

Stamp-A-Day Challenge

Carved on the flip side of yesterday's stamp. They're adding up!

Friday, October 26, 2007

Amber Shellac

I had the most fun yesterday following Juju Vail's instructions in the July/August 2007 issue of Cloth Paper Scissors. First I cut out 2" squares of various printed papers and glued them in my journal. Then I drew some stuff on them. My idea was to show some of the clothing styles we wore when I was in high school. I'm still going to do something with the idea. But anyhoo, when it came to the 'old' varnish part I didn't have any so I substitued Amber Shellac and I love the stuff. (needs ventilation! so many good things do.) So this is the page as it stands. Smeary graphite, paint, grey Roma paper.

I also cut a new rubber stamp. I've decided to cut one stamp or stencil a day until I have a pile of new ones to make decorated paper out of. I think I'll use double sheets of newpaper with paint, stamps, stencils, etc. That should make some cool paper to play with.

Putter on, fellow doodlers.

Thursday, October 25, 2007

Nuts and Bolts

The season is changing and I am moving with the current. Sometimes (most of the time) the current is moving too swiftly for me but that is unavoidable. The trees are heartrendingly beautiful all around Portland; brilliant lemon yellows, russets, scarlets and burgundys against the deep green Douglas Firs. The sun is shining today but the air is crisp.

Time to bundle up and become stoic.

I received a sweet gift in the mail this week. A magical voodoo doll to join my other wall dolls in my studio. She is stitched to within an inch of her life (even the words "VooDoo Cafe" are stitched onto the heart) - Ricë has the patience of a saint!

She also has a new book out that I am reading in the above photo. It is full of interviews with various artists discussing creativity, where ideas come from and working habits among other juicy subjects. Definitely one to read and reread.

See you later, 'gater. Time for my 2nd cuppa joe.

Sunday, October 21, 2007

Pushing Through

Monkey-mind won't leave me alone. It tells me I am not accomplishing anything worthwhile, that I am spending too much time trying to figure out with logic what needs to be done through intuition, and I keep getting distracted when I do finally get to work. In addition I am bedevilled by a plethora of pesterments (a quote from a journal I wrote in 1992) - maybe that just never ends. The nuts and bolts that make up so much of life when my vision is elsewhere.

This is the hideous encaustic I painted and then destroyed yesterday. It had served its purpose and that was to provide me an opportunity to mix color with (a) dry pigments and wax (b) oil paint and wax and (c) oil pastels and wax. Today I experiment with watercolor. I am getting a little more used to my workspace here in my home studio and see what I need to change to accommodate larger work. In answer to all who have expressed concern regarding dry pigments in the studio let me just say that I am the biggest safety nut going and I haven't added to my collection of 3 dried pigment colors. I do not mull the pigments or fling them into the air.

I love and adore your comments but I've lost my mind trying to answer everyone so please don't stop commenting. Just know that I am trying to take care of myself and my studio time. If you e-mail me or ask a serious question I will of course answer back. xoxo thanks.

Saturday, October 20, 2007

IEA Meeting at Natasia's Studio

This month we met at the studio of Natasia Chan. Her space is on the 2nd story of a downtown warehouse; white-painted brick with a high ceiling and skylights - spacious, light and big. Located in a building full of artists' studios; paintings and art everywhere in the hallways and walls - so inspiring to be surrounded by so much intense art making. Not to mention being surrounded by other artists.

We had eleven members present, each bringing a couple of paintings to share. We are still getting to know each other and it is helpful to understand where each of us is in our search. So we shared our methods and concerns. Everyone tried to help everyone else. I learned new techniques; more than one. Wow. When people get together and share openly, everyone wins. Working together for the good of all. (On the far right is our new member, Jim Talt.

I should share some websites here. On the left in the above photo is our tireless organizer, Linda Womack. Natasia is on the stool, then Kimberly Kent and Mazarine Treyz.

On the left is Inanna McGraw and next to her the effervescent Shelly Shinjo. I met Shelly in my class at PNCA and I love her non-representational paintings. Check 'em out!

Left to right: Amy Stoner, Melinda Fellini, Andrea Benson and Shelly in the back. We are looking forward with enthusiasm to the Conference in Boston in June of 2008 and the retreat in Carmel Valley in April. Next meeting: November 16.

Friday, October 19, 2007

Abstract?

The last couple of days have found me just wanting to push paint with no real aim in mind. So that's what I've been doing. Just revelling in the colors and playing with materials. I have some powdered pigments on hand now for the encaustic so I've also been painting with that; just mixing it with the stiff gel medium and seeing what it does. Oh, it's pretty. Mmmm hmmm. Wonder how it would look mixed with resin. Mmmm hmmm. I think so too.

So when I want to aimlessly push paint I pull out my journal and work ahead on backgrounds. Then I can experiment with transferring dried paint from saran wrap, monoprinting and stuff like that.

I told my encaustic teacher that what I love and had dreamed of for years are weathered ochre walls with bits of color flecked in here and there. Is that a painting? Are my backgrounds actually abstract paintings? Do they need a subject plopped down in the middle? I am as in the dark as I was the first day of art skool.

And this. Is it a fabric design? All I know is I like it. Weird green color and all.

This page reminds me of watermelon. I love a warm, melony red. I think I've told you that before. Lush.

This one is red ink over acrylic paint. Then rubbed off again. Messy and oh-so-fun.

I used the card that Deryn's earrings came on for my title page. I told her I'd use it for something. Like so many others, I can't resist an unknown woman from a former age. Who was she? What was her life like?

This is my landscape of the desert. Austere and harsh and full of color. That's what I've been doing. Thanks for stopping by. IEA meeting tonite. I'll take photos and report back.